SCRIBES OF METAL – AMERICAN ILLUSION REVIEW

I’ll start by saying that American Illusion is not going to be popular with everyone, in fact the very reasons I think it’s a brilliant piece are the same reasons that some may criticise it… that’s ok. Music is a form of art, to be appreciated by those that understand it and deconstructed by those that don’t.

American Illusion flies in the face of what the “industry” tells us is great, it’s raw, it’s edgy and it speaks of hard work and ideals. An overarching theme lyrically is one of revolution, it’s a kind of 60’s ‘power to the people’ revolution, highlighting the inequality present in life. Again, some will find reason to be critical of this statement, but for me it reinforces a genuine quality of what could otherwise be yet another “let’s drink and womanise” hard rock offering. Not that I have anything against drink or women!

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LOUD-STUFF.COM AMERICAN ILLUSION REVIEW

Due to embark on a UK tour with the mighty Buckckerry and Hardcore Superstar, “new kids on the block” Venrez have just released their spanking new album, American Illusion, and are set to make some serious waves on the scene. Having already toured with the likes of Slash and Alice Cooper, Venrez are no strangers to sharing stages with high profile acts – but more importantly, have the goods to back it up. Describing their style as “a new modern genre of rock which at first sounds like you have heard it before, but quickly lets you know that it is new and fresh”, Venrez could well be THE band we’re all about to be talking about, so we thought we should check out the album to see for ourselves.

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VENREZ PROVIDE PERFECT COUNTERPOINT TO HARD ROCK CLICHÉS WITH AMERICAN ILLUSION

VENREZ are an odd, but likeble bunch on record. They have produced an album in American Illusion that is both challenging and accessible, and eight of its 10 tracks are straightforward rock with a lyrical social consceince.
But on two of the tracks they wander off the well-worn hard rock mode, but in no less an enjoyable way.
There is a rawness about the entire feel of the album, with opener a perfect example. Singer Ven said of it:
“‘Unforeseen’  is my favorite track on ‘American Illusion’. It’s brutally heavy and demanding to play right.
“It’s ‘At The Drive In’ meets ‘Alice in Chains’ and really reflects the experiences we’ve had touring the world together.”

Ven’s comparison to these bands stand up, but throughout the rest of the album it teeters between the classic hard rock edge and alternative, stoner rockers such as QOTSA.
For example, Free Will has moments of sheer rock splendour amidst a groove that would not be alien to desert rock. But the previous track has a stomp and vigour reminescent of the glory days of 80s hard rock.
Ven’s vocal delivery is under-stated, and almost laconic at times, echoes of Layne Stayley merging with his own take on how difficut issues should be delivered. Unlike many of Venrez’s contemporaries there are not tales of excess and misogny. As the title of the album – American Illusion – suggests lyrically they tackle a society with more problematic issues than it can cope with; and no army of therapists, counsellors, pchychiatrists or psychologists can help during this century. That combination between hard rock musical attitude and lyrics to challenge listeners means that this album falls into that elusive category – a ‘grower’. On the first couple of spins there is more than a little to engage, but by the time you have listened to the likes of Silver and Gold and Vultures you ‘get it’ and can settle back to enjoy.

The weird bit comes in the last two tracks – the Beat Goes On and Temptress of the Moon. Beat Goes On has dated synth and distorted vocals which would have not been out of place in an early 90s experimental rock act. However, the repetitive, almost hypnotic delivery makes it strangely likeable.Throughout the album – anchored by the rhytm section of Mike and Ed – the twin guitars of Alex and Jason are to the fore, with riffs aplenty prominent in the mix. But, on the album closer – the lengthy Temptress of the Moon – they are given free reign to explore delicate textures. At times it is as if Dave Gilmuor, Snowy White and Syd Barret got together with some prog rockers and did some acid. And that is a good thing.

Apart from the slight departure of the last two songs Venrez have produced a solid, enjoyable album – one worthy of a listen before their Belfast date. Guitarist Alex Kane is no doubt about where the band are:Now with this new album, “American Illusion”, we have our best material to date and the band has never been tighter. I think everyone who comes to see us again will say it was worth the wait. Those seeing us for the first time will not be disappointed either.” American Illusion is available now. You can catch them supporting Buckcherry and Hardcore Superstars in the Limelight on November 27th. Tickets available from usual outlets.

Belfast MetalHeads

MUSIC TRESPASS – AMERICAN ILLUSION REVIEW

Sometimes bringing American Rock back to the beginning works!

Venrez is an American Rock band that have taken influence from bands like Stone temple Pilots, Velvet Revolver, Hinder to legends like Aerosmith. When I started listening to this I thought it would be like every other band that takes influences from these bands, but this is not this is so much better. I would say this is my “Album of the Month” it is that good and I have so many good things I could say about it.

On opener ‘Unforseen’ you can see why Slash famous for being the top hat wearing guitarist in Guns ‘n’ Roses would want this band on tour with him, the guitar work on this track is incendiary and really takes me back to when I had tapes in the car when I was a kid. Then again the sound was never as polished as it is on ‘American Illusion’, where all the songs sound really big and well produced. The vocals on this album by Venrez are amazing, no Pro-Tools used here!!! just pure vocal talent reminding me of a more commercial Scott Weiland if he got singing lessons from Perry Farrell.

Second track ‘Sanctity’ won’t break any songwriting awards! it’s just ballzy Rock ‘n’ Roll put it a clugging a long track that is very repetitive and catchy, you just want to clap your hands a long to this song it really has that vibe to it. While ‘Hot Air’ has big lifts and makes you feel like you are listening to it at a top of a mountain. This song is really big and has the sound and you wonder how this can be a new band, because this is a track that any of the big names in Rock and Metal would have killed to have written. It just has everything you would want from a Hard Rock song to the amazing solo near the end of it. Actually all the guitar work on this album is second to none and Jason Womack and Alex Kane should be very proud of themselves indeed.

‘Free Will’ sound like an Audrey Horne track and I am talking when this band where good not the rubbish they bring out now. I’m talking ‘Threshold’ era and this is not a band thing this is great Melodic Hard Rock that has emotion in it and I am so surprised that this band have come out with a track like this, going by some of the more commercially appealing songs on the album.

Like ‘Silver and Gold’ which sounds like it mixes up Grunge with Southern Rock with a hint of Queens of the stone Age. If your a fan of the later band you will really dig this track, they do mix up the genres on this album but no song seems out of place. All the songs seem like they are just made to be their like the spacey ‘Intellectual Drool’ which has killer drumming in it and ‘Vultures’ which you can’t ignore the riff to it and they way it kicks in and out which just makes you want to f**k sh*t up!.

‘Hunger’ drives in and is a great song to listen to in your car, while ‘The Beat goes On’ is a more sing-a-long track if you are a little drunk. Last song ‘Temptress of the Moon’ is the perfect song to end the album on because it’s chilled vibe and soothing vocals really brings proceedings to a close.This is an album I will run out and buy and one of the best Rock albums I have heard in a while and I just wonder why I have not heard of Venrez before. This is Hard Rock how it is meant to be and one you have to buy you won’t be disappointed.

Review by Dan Devour

Catch the band supporting Buckcherry / Hardcore Superstar on the dates Below:

WYRD WAYS ROCK SHOW REVIEW – AMERICAN ILLUSION

Venrez are currently lined up as support for Buckcherry‘s latest tour, so as a long time Buckcherry fan I was pretty excited to get to review their second full release American Illusion. If you like you rock hard and heavy and your favourite music era is the seventies then you’re in for a treat. Despair not if you prefer more modern music – fans of 90′s grunge will also be happy and the band have been compared to Alice in Chains more than once.

The album kicks of with Unforseen, a glorious track that instantly harks back to the good old days when bands made the music they wanted and trashed their hotel suites. It’s a gloomy, slightly dirgeful song and it’s brilliant. There isn’t a single thing about this track that doesn’t work- it does remind me of Alice in Chains so grunge fans will be happy.

Suzi H

TWO GUYS METAL REVIEW

American Illusion is a fun and often intelligent modern hard rock record that shows Venrez pulling all the stops to create a powerful debut record that simply reeks of rock and roll majesty. – Matt Baggins Two Guys Metal Reviews

Now here is a cool hard rock record from a band who have the honor to open up for Buckcherry and Hardcore Superstar this fall in Europe. American Illusion is a fun and often intelligent modern hard rock record that shows Venrez pulling all the stops to create a powerful debut record that simply reeks of rock and roll majesty. Yet these guys aren’t just pulling all the same tricks as their contemporaries, there are cool new edges to be found on American Illusion that show that Venrez have the creativity and originality to go far.

One of the things I really like about this record is the strange vaguely electronic delivery of the vocals on songs like The Beat Goes On it captures the sheer magic that this record often has. Their is a sort of Cynic vibe provided by these strange and ethereal vocals. Toss in some intelligent lyrics about the nature of America and you know you’re already off to a great start. Another great thing about this album are the wonderful riffs which are often very memorable and unafraid to reach out and touch the soul. With American Illusion Venrez not only put out some cool tunes, they make a statement, one that needs to be heard in this era of government shutdowns and NSA.

Read the rest of the review here

LIVE REVIEW: HOUSE OF BLUES LAS VEGAS

n eager crowd awaits in The House of Blues in Las Vegas at Mandalay Bay.  As  takes the stage,  the crowd reverberates with enthusiasm, excitement and anticipation.

DSC_2866n, from Los Angeles, California hosts a vast wealth of talent from Steven (Ven) Berez/vocals, Jason Womack/guitar, Alex Kane/guitar, Michael Bradford/bass and Ed Davis/drums.  The band joined Slash for the last three shows of his Apocalyptic Love Tour, beginning in St. Louis, Missouri then rocking over to Park City, Utah, and finishing in fabulous Las Vegas, baby!

Davis and Womack originally played with Juliette Lewis and the Licks, and Kane played as guitarist for LSD (Life Sex and Death) and Marky Ramone’s Blitzkrieg.  Bradford was a childhood friend of Womack’s, and as such was welcomed to the group.

This group’s chemistry brings a sound to album and stage with the essence of “classic rock of the 1970′s meets the grunge movement of the 1990′s.”  Berez and Womack have teamed up as a perfect match of songwriter and lyricist.  With Womack’s music paired with Berez’s lyrics, be it on the album or live,  has woven a story to tell with each and every one.

DSC_2922nThe lights go down and in the dark, a guitar chord breaks the silence as Silver and Gold starts the set list, and the show is on.  The unmistakable vocals of Berez combined with the chilling sounds from Womack and Kane, the deep bass from Bradford and well crafted drumming from Davis are an amazing beginning for the night.  While only performing a seven song set list, Silver and Gold is the perfect prelude.

Yesterday Has Gone and Free Will  are the next tunes to follow.  Kane entertains the audience with sheer madness at times with his maniacal expressions and extreme guitar skills.  Sell The Lie is the title track from their album released in 2012.  At this point, the crowd is definitely into the music, and diehard Venrez fans are singing along to every word.  Sanctity and Karma are next, and the stage is taken over as The House of Blues in conquered by a group of musicians whose power is unstoppable.  Raw energy and emotion, intensity, honest vocals and lyrics–everyone was into the music, and moving with excitement built around the performance.  The band is tight and is reflected in the band members response from the crowd.  The mutual enjoyment by band and audience feeds the fire of the show, and has each wanting more.

DSC_2732h

Unforeseen is the latest album release, and the last song of the night.  The deep vocals of Berez again is haunting and deep,  yet fresh and lyrical.  The sound emerging from the stage has some razor-sharp riffs along with a bluesy soulful grunge attack with the ability to make hairs stand on end and a tingle down the spine.  This band took the audience by the soul and shook them.  Venrez has a presence to none on the stage, and what better presence to start a night of rock than with Venrez.

Click here for more Live photos from this show.

For more information visit:

https://www.facebook.com/venrez

 

ScreamMagazine.com – Erika Thomas

THE DEDICATED ROCKER SOCIETY – AMERICAN ILLUSION REVIEW

L.A. based rockers, Venrez are back with their sophomore release, ‘American Illusion’. A non-stop good time rock n’ roll album full of rock solid musicianship complete with tight rhythms and incredible riffs. The band is comprised of singer Steven Berez (whose last syllables of his first and last name serve as the group’s name), guitarists Jason Womack and Alex Kane, bassist Michael Bradford, and drummer Ed Davis. ‘American Illusion’ is on a whole different level than the band’s debut release, ‘Sell The Lie, which is a strong album, its just this album is far superior. The band is tighter, the band influences are more noticable and yet they sound more original and the songs are just all around better. From opening riff of, “Unforeseen” you know you are in for one hell of a ride. Then you have “Sanctity” a mighty catchy, feel-good hard rock anthem with punk-y, grungy bass lines, big, heavy riffs, and memorable, vocal hook.

The tandem guitar work by Womack and Kane is tight and the rhythm section of Bradford and Davis give Venrez it’s rock solid foundation. The band’s tight chemistry is evident on tracks like the groove laden movers, “Free Will” and “Vultures”. The band also cover the Sonny and Cher classic ‘Beat Goes On’ which is melt in your mouth good, infact it is too good to be true. Makes you forget that it is even a cover. All in all ‘American Illusion’ is a hard rock record with strong vocals, melodic rhythms and wall to wall of guitar! Clearly Venrez were not influenced by the countless Sons of Plunder label executives that roll up their sleeves and tell new modern rock bands that you need to sound like Nickleback in order to sell albums. Venrez may be the success story no one expected. If these guys keep it together for a third album, who knows what they could accomplish. All I hear and see from Venrez are better things to come. ‘American Illusion’ is a modern rock classic. – Highly Recommended

Tony aka The Atomic Chaser @The Dedicated Rocker Society/All Access Magazine
http://www.Facebook.com/DedicatedRockerSociety